matedecoca
matedecoca
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plantial:

I did this at a bus stop once. I missed my bus and the next one wasn’t supposed to come for another hour, so I had time to kill. A little girl walking with her mom said it looked like a throne for a flower princess.
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nemfrog:

Aloe. Magazine cover photo. 1952.
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Keith Haring in front of his own typical figure drawing.
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asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
asylum-art:

Aitch: Beautiful Us
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aurorae:

(by rufeng0758)
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buzzcutbabes:

© jillian l. clark - facebook.com/photographybyjillianclark
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digbicks:

The Morning After: Thoughts about the briefness of a hook up written in permanent marker in the places he touched (2013), Lindsay Bottos-Sewell
digbicks:

The Morning After: Thoughts about the briefness of a hook up written in permanent marker in the places he touched (2013), Lindsay Bottos-Sewell
digbicks:

The Morning After: Thoughts about the briefness of a hook up written in permanent marker in the places he touched (2013), Lindsay Bottos-Sewell
digbicks:

The Morning After: Thoughts about the briefness of a hook up written in permanent marker in the places he touched (2013), Lindsay Bottos-Sewell
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digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust.